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“Next Day Air” is a convoluted but curious gloomy comedy that has the conviction to build gangsters and drug dealers seem like people you would want to root for. It’s a memoir of hapless people in an equally hapless plot, and yet director Benny Direct and writer Blair Cobbs aren’t so melodramatic that they fail to ogle the humor in it all; many moments are genuinely laughable, at times in that blatant screwball contrivance, at other times in that underhanded design that makes you judge about what was said and by whom. The clever structure helps a broad deal, every scene so carefully paced that the whole thing runs like clockwork. Unusual, the precision that went into a screenplay about a scenario that was handled very imprecisely. It’s quite possible that this is an intentional explain of cinematic irony, which is superb because it reveals an intelligence films like this tend to lack.

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The situation, essentially, is about a drug deal gone unpleasant. Using an ordinary delivery service modeled after UPS or Fed-Ex, a ruthless drug lord from Calexico, California named Bodega (Emilio Rivera) ships ten bricks of high-quality cocaine to Philadelphia. It was supposed to be delivered to Jesus (Cisco Reyes) and his girlfriend, Chita (Yasmin Deliz), but a potheaded delivery man named Leo (Donald Faison) accidentally drops it off at the apartment further down the hall. It’s now in the possession of three inept bank robbers: Brody (Mike Epps), Guch (Wood Harris), and Hassie (Malik Barnhardt) . While Hassie spends most of the film asleep on the couch, Brody and Guch speedy resolve to gain rich off the bricks by selling them to Brody’s cousin, Shavoo (Omari Hardwick) . Shavoo, unfortunately, is unaware that his secret stash of money has been stolen.

As you can behold, this yarn involves a lot of people, and their personal histories are, to varying degrees, interwoven all throughout. Leo is a slacker who doesn’t seize his job very seriously, not caring a bit for boxes marked as fragile. He’s inches away from being fired by his boss, who honest happens to be his mother (Debbie Allen) . He knows for a fact that his co-worker and friend, Eric (Mos Def), actively steals merchandise from the very boxes he delivers. Jesus and Chita bicker like immature teenagers, almost as if they were already married. It’s a complex, multilayered film, yet it never loses survey of the legend or the characters. This is especially vital as we arrive the final act, at which point Bodega comes to Philadelphia, Jesus and Chita search for Leo, and Brody, Guch, and Shavoo launch distrusting one another. Eventually, nine people net themselves in the same petite apartment, and of those nine, seven are armed and perilous.

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One of the film’s best scenes may seem like an determined gimmick, but it works unprejudiced the same. Brody calls Shavoo to thunder him about the ten bricks. Subtitles suddenly appear, translating slang-heavy ghetto talk into formal English. I found myself laughing, probably because that scene forced me to face a cultural gap head on; had there been no subtitles, I most likely would not have understood a thing they were saying. The rest of the film is linguistically solid, if a limited in-your-face with uncouth references to Oedipus. Honestly, the four-letter dialogue in this movie none too subtle–if the filmmakers had set a dollar amount on each word, the actors would have probably earned more at the ruin of the shoot than the total of their salaries.

In spite of this, there are specific passages of dialogue that can actually fabricate the audience consider, if only for a moment or two. Rob, for example, an ongoing argument between Brody and Guch about the nature of family; while Brody is convinced that Shavoo is acting honestly, Guch believes that no one, not even conclude family members, can be trusted. His point hits home advance the kill of the film, at which point his priorities are made abundantly sure. And then there’s Shavoo, who asserts, “If it ain’t worth dying for, you don’t want to be in it.” He remembers that line remarkable later on, and considering what has happened and who it happened to, it’s unclear whether or not he tranquil believes this to be honest.

While I’m hard pressed to say that “Next Day Air” is a message movie, there is the sense that something more lurks beneath the zany surface, and whatever that something is, it can do more for an audience than fair smack them upside the head with rude dialogue, a lot of drug expend, and bloody shootouts. I suspect most of the credit goes to the carefully plotted screenplay, which successfully interweaves multiple storylines without getting them hopelessly confused with one another. I net it both incredible and laughable that such a chaotic myth achieved its goals because of an organized script. That may, in fact, be the funniest thing about this movie (although I laughed resplendent hard at a scene featuring Jesus practicing his stick-up routine in front of a mirror, each time using a bigger gun) . Clearly, “Next Day Air” is a lot smarter than it lets on.

From the previews and commercials I idea this movie was going to be a straight through comedy but I was stunned to score out that it actually had a yarn to go with it. From beginning to waste it kept my attention throughout. Don’t bag me noxious it was a comic movie but it wasn’t a punchline after punchline type of movie. Check it out, you will be very surprised as I was.
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